10. Chains

Hmm. Missed a day or two in there somewhere. But that’s all right. Good things are afoot outside the computer screen, and if I could only manage to work as hard as I play everything would be golden.

Yesterday morning I woke May up very slowly. He wakes up one slitted eye at a time, very sleek and small. “C’we try the three corners chains on’a'bed?” he mumbled. 

We have a few lengths of chain lying about. Advantages: cheap, incredibly adjustable. Disadvantages: Very loud on the bedframe. Also, dealing with padlocks. The real advantage: He loves them, I love him in them.

I found padlocks and unearthed keys from our keysafe and my jewelry box, and chained him down in a spreadeagle. He had barely opened his eyes, and was smiling and moving against them like a lazy sloth. I put a blanket over him, another over me, and crawled on top of him. I curled up on his chest, put my face in the hollow of his shoulder, and we fell asleep that way. Both of us blissed out, him drifting, me cozy. Perfect.

4. The Way of Small Things

I have a touch of claustrophobia, at times. I will not be bound. I will bite if I cannot move, and when I take up space I stretch so far my joints make popcorn noises. 

Maymay, on the other hand, blisses out in tiny spaces. One night I folded his arms over his chest in a cross and tied them down that way. I’ve never seen him smile so wide. In bed, he wraps the blankets ’round himself like a burrito, or wedges his ass into my belly and folds his body into every nook and cranny of my own. Even day to day, in the way he sits and stands and walks, there is restraint. He holds his lips in, sometimes, and it makes me a little bit regretful because he has such lovely lips.

I joke that he is pocket sized. I want to create some sort of sac that I could fold him into, like fetal mummification. We play sometimes that he is verysmall and I am verylarge.

It is only when he sleeps that his restraint truly relaxes. When I wake up in the morning and shut off my alarm before he can roll over, he will be tumbled out along the sheets all fingers, legs, loose and parted lips. Then he is slinky long, and looks like a grown up, or a statue in white stone.

Newly Sprouted

First off, hello to bestsexbloggers.com! This is my first cross-post to the new sex blogger repository set up by the stunning ladies Catalina Loves and Essin’ Em. Considering how little I talk about actual sex on my sex blog, I’m surprised to be included. But hey, look’it the technology go.

Sinclair wrote a great post about butch body hair that has sparked off some really interesting comparative experiences. I hung around in her comment box chattering away until I realized I’d written an entire blog post of my own, and yanked it back over here.

So. Hair. Prepare for some personal information dumping.

I’m trying to figure out where I fit in the gender galaxy. I’m content to make this a slow, meandering process; I feel no burning need, at this very instant, to figure out exactly what I am and how I fit into the boxes. At the moment, if anyone asks I’ll say I’m standing at the intersections of queer and butch and dom and quirky, staring at the street signs quizzically and wondering how to get to the nearest deli.

But I have recently changed my attitude to my body hair, and the change is, in that peculiar meandering way, somehow connected to my gender identity.

My body hair is naturally light. I don’t grow hair on my face except my thin, arched eybrows, and my arms are barely covered in tiny glinting blonde strands.

I shave my legs. I barely have to, as the hair only really grows from mid-calf downward. But I do. For three reasons: the ritual, the texture and the look. I love folding leg shaving in with a good long bath and some relaxation. And I am obsessed with texture; when my legs are smooth and moisturized they feel amazing. I like how having shaved legs makes my sheets feel slippery. Sort of hard to explain, that.

But it is also because I still connect the look of shaved legs with the cultural images of grace and femininity. I wonder sometimes if I still shave my legs because the wealth of my body hair is still something intimately private to me. Or if I’m just not brave enough to display myself grown out. Or if I’ve still got a little femme in me. I probably do, and I think I like her there.

I pluck the stray hairs that grow on my nipples. (And yes, if you didn’t know, women do grow pubic hair on their nipples.) I don’t really care about having hairy nipples, but I like plucking them in the same way I like picking at scabs and cutting my toenails. These are the weird little body quirks that interest me.

I wrote ages and ages ago that I was growing my pubic hair out. That lasted for a while. Then I trimmed it, then I shaved it. Then I grew it out and trimmed it again. Then I had some ill-fated adventures into complicated landscaping. Now I’m growing it out again. It’s longer that the hair on my head. I like it. I also found a company that sells pubic hair dye, and am flirting with the thought of turning it blue. Because hey, why not?

The major result of my change in attitude is that I’ve grown out my underarms. I’ve never done this before. My underarms have been shaved smooth since they first started sprouting fifteen years ago. But again I thought, what the hell, why not?

The first thing I noticed of these budding new hairs is that they’re very different in texture that I expected. I had thought my underarms would sport the same wiry, rich brown hairs as my vagina. But no. They’re thin and soft and silky. They feel a bit like having a tiny, expensive fur muff wedged under each arm.

The second thing I noticed is that my smell has changed. I bear odd resemblances to the people whose smells fascinate me: Maymay, Stitch, Bear. In short, I smell like a boy. It was a disconcerting experience at the time. Standing in our kitchen I’d turn my head expecting Maymay to be standing next to me, and find no one. The scent of skin and powder has vanished, replaced by sweat and light musk.

I loved how boys dressed, and then realized I could dress the same way. I loved how boys sat in chairs like little sprawling kings, and then began to sprawl myself. I loved how boys smelled, but I always thought that particular smell was something that didn’t make it into my portion of the biological soup.

I was wrong.

Music And Lyrics

I don’t consider music to be an incredibly pivotal part of my life, in the way some of my obsessive musician friends do. It simply doesn’t receive much of my creative focus; it is more commonly an afterthought, a casual acquaintance. But at the same time, having music playing in my ears can change my entire perspective, can knock me from a bad mood to a good one, from a good one to dancing. Musical theatre was my gateway drug to theatre in general. And I don’t think I could have finished my painting thesis without The Who on repeat in the background.

It’s easy to guess (writer, musical theater geek) that I am inclined toward lyric-heavy music. But it goes a bit beyond that; I often stick to musicians simply because I think their lyrics are sexy.

That seems like a simple thing to say, and sort of obvious as a general statement. But then, throw an alternate sexuality in the mix. Kinky themes show up in odd places in music, in ways that often seem fake, wires crossed, something not-quite-right. Rarely genuine.

So tonight, when I put my iTunes on shuffle and let the program work its way through the 35-odd gigs of music, I caught myself perking up, swinging my hips a little more to the sexy, kinky favorites. I get an irrational shot of joy to hear my life in music; it seems like a cultural acknowledgement of the possibility of viable kinky love.

Yes, I will give you some of my favorites. I know you were gearing up for the link-fest.

I met one of my former partners through a question he posted on an LJ community, looking for kinky lyrics. My contribution was “Blood, Sex, and Booze” by Greenday. I remember writing out the words in the comment form before I surfed over to his journal and found out he lived in New York:

Waiting in a room
All dressed up and bound and gagged
Tied to a chair, it’s so unfair
I don’t dare to move, for the pain she puts me through
is what I need, so make it bleed

I’m in distress
Oh mistress I confess, so do it one more time
These handcuffs are too tight, well
You know I will obey,
So please don’t make me beg
For blood, sex and booze you give me

Almost painfully obvious, no? But I think there’s a good pornographic film somewhere in that song.

Or then, we could talk about The Magnitic Fields, whose 69 Love Songs became the background noise of my rushed-by graduation days, just when May and I were meeting. They swing around from sweet:

Andy would bicycle across town in the rain to bring you
candy, and John would buy the gown for you to wear to the
prom, with Tom the astronomer who’d name a star for you
But I’m the luckiest guy on the Lower East Side
cause I’ve got wheels and you want to go for a ride

To brilliantly disturbing:

A pretty girl is like a violent crime
If you do it wrong you could do time
But if you do it right it is sublime…

And I still love Great Big Sea, not only because they give a thrilling live perfomance, but because they are overflowing-full with these little gems, often from older covers:

Sally Ann, Sally Ann, oh when you dance
Every move that you make is amazing…
See me swallowing my pride
She got me crawling on the floor

Then, once upon a time, Maymay handed me a mix CD that I almost wore a hole in. On it, Sting:

It would make a prison of my life
If you become another’s wife
With every prison blown to dust
My enemies walk free
I’m mad about you
I’m mad about you

And really, no list of mine is complete without the bitter-chocolate-orange voice of Leonard Cohen. The first time I heard “I’m Your Man,” I almost cried of appreciation and want.

If you want a lover
I’ll do anything you ask me to
And if you want another kind of love
I’ll wear a mask for you
If you want a partner
Take my hand
Or if you want to strike me down in anger
Here I stand
I’m your man

All right. Maybe music is more pivotal that I’ve admitted. These songs get under my skin. There’s something sensual there; they thrum with me.

11. Precious

Saturday night I pulled May up from the beige carpeted floor of our living room and onto our rough blue couch. He was wearing thin satin panties. A garter, a slippery nightgown. Pretty things. Pretty boy.

I held my lips over the skin of his throat and growled, feeling my lips peel back from my teeth. I climbed on top of him and ran my fingers through the air around his skin. He writhed upward, trying to make contact somewhere. Anywhere. I hid my laughter in his curls. He moaned. The bright pink tip of his cock slipped out the waist of the satin, and waved back and forth in the air.

After a little while I caught him up in a little ball, his legs folded close to his chest and my arms around his entire body. He tucked his chin down to his collar bone and looked up at me. Red eyelashes. He has red eyelashes. His mouth was trembling open, his eyes enormous.

“I love that look,” I murmured to him, just to watch him being sweet and coy. He flutters those eyelashes sometimes, when he’s pretty, when I compliment him. It goes right through my chest like a dart when he does that. I pressed my lips to his cheekbone, right at the corner of his eye. I smiled in his ear.

“You are so beautiful, precious, precious boy.”

Interlude

On the platform of the Inner West line at Central station a few nights ago, May grabbed my hand and pointed. “Look!” he said excitedly.

A few yards ahead of us, a tall, skinny boy dressed in black was walking slowly. He had long arms, long legs, broad shoulders, and his face, turned briefly, was pale-skinned and pretty. These things, however, I noticed only in retrospect.

He had thick hair the brilliant color of red gold. It cascaded off his shoulders and trailed down his back in wavy sheets, thick, curly pools of hair that ended just below the small of his back. It was the most beautiful hair I’d ever seen.

I stared, open-mouthed. My body tingled in simple lust.

May started off, deliberately tracking the boy down the platform. I hissed at him to stop, but followed. The boy paused by some benches, and May and I took up places a little ways away.

May was watching me, grinning. “Why don’t you go talk to him?” he said.

I shook my head. “I’m not going to go up to some totally random stranger.”

“Come on,” he urged. “Just say hello.”

I stood awkwardly, watching as the beautiful boy took his headphones from his bag and began to fiddle with an iPod. Behind me, our train started pulling into the station. My stomach felt tight, knotted up like wet rope. I dipped a hand into my bag and pulled a card from my wallet.

Almost collapsing from the sudden stage fright, I crossed the platform and edged into the boy’s vision. I flashed him a smile, and he returned it as he took his headphones from his ears.

“Hi,” I said. “I know you must hear this a lot, but your hair is really remarkable. I think it’s gorgeous.”

“I do hear that a lot. Thanks.” His voice was light. My eyes edged the clear lines of his cheekbones. His beard precisely matched the red-gold of his hair. “I hope I brightened your evening,” he said.

“You definitely did.” I held out the card. Behind me my train’s doors were opening. I could see May watching me, smiling. “Give me a call sometime if you’d like to get coffee or something.” I held out the card, and as he took it skipped back across the platform and nipped through the closing doors of the train.

I followed May to a pair of seats and collapsed, suddenly shaking. “Oh God,” I groaned, “I can’t believe I just did that. I’ve never done that before.”

“What’d he say?” May asked eagerly. I focused on relaxing the pit in my stomach as I told him. Suddenly I started laughing.

May was startled. “What’s funny?”

I wrapped my arms around my middle as I laughed. “Is that what meeting people is usually like?” I turned to him and made a face. “God, that sucks.

Protected: The Girl In The Sky

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Cup

Last week, for the first time in my adult life, I spent seven days without a bra.

I’ve worn a bra every day since I was 13. I remember my first bra; a white cotton thing, more of an abbreviated tank top than an undergarment. At the time I had no breasts to speak of. I simply wanted a bra. I was adamant, I insisted on being bought that silly white thing.

Since then I have fleshed up, filled out. I will never claim that my breasts are spectacular; they are, in fact, overwhelmingly ordinary. They fall from my chest outward, small against the breadth of my shoulders and the generosity of my thighs.

My breasts are not high, nor are they perky. Rather, they are long, hanging from my chest in soft U-shaped drapes with the nipples almost directly downward. They fold over my ribs, giving me creases of soft flesh in the center of my chest, one a finger higher than the other. This gives my cleavage the impression of being slightly mismatched.

In size, my breasts are a soft handful, larger than apples, smaller than melons. Perhaps a grapefruit apiece. I straddle the no-where land between bra sizes, a B cup in some brands, a C in others. Their skin is ever so pale, gleaming with the iridescent rivulets of stretch marks. After a summer in bikinis and on nude beaches my breasts have gone from white-on-white to cream-on-pink. My nipples are only slightly darker, light pink with yellow undertones and a tight, tiny splash of rose in the center. I’ve seen nipples ranging in color from chocolaty brown spots to wounds of brilliant red. My nipples are not so dramatic.

The oddest thing about my breasts, which has kept me from plumping my cleavage high in corsets and convinced me to forever avoid demi-cup bras, are their distinctively large aureoles. It’s as though the aureoles continued to grow on, leaving my breasts behind, or as though I inherited my mother’s nipples but not the double-D breasts to balance them out. I’m not going to stick a ruler down my shirt at the moment, but at a quick glance I would estimate that my aureoles are each just under four inches in diameter. This used to embarrass me. Now it amuses me. These wide circles of puffy skin are just one of the quirks of my body I’ve grown enough to like.

I’m not particularly fond of my breasts. I have definitely run the gambit of issues, flaws, bits of myself I want to cover or poke at or cut off. My breasts are not an exception, with their teardrop shape and insistently large circles. But then, nor do they particularly trouble me. They are a sort of blank spot on my body’s radar, neither sculpted nor slack. My sexual wiring lingers in my nipples momentarily, and a hand will often stray to my breasts during masturbation, kneading softly. Having my nipples played with, sucked or licked, however, is usually a tease. Not teasing in a good way; teasing similar to a fly I want to swat.

I have never had any really good bras. I’ve owned a few nice ones, with bits of lace here and there. These are few and far between, however, and I’m usually content with a simple foam cup, an underwire , some skinny straps. The gentlemen in the audience may or may not appreciate how much good bras cost; I cannot drop $60 on a garment that no one actually sees. I don’t see bras as a lingerie item, and in scenes and sex they usually end up crumpled on the floor under my jeans.

I have always had a vague longing for the fruity dips and curves of high-placed, rounded cleavage. My sexual interest in women is often prey to a bit of breast fixation. That’s right; I’m a breast woman. Supposedly expensive bras can plump me, fill me, perk me and round me all at once, but I’ve yet to lay down money for the test drive and am content with my less-than-mythic decolletage.

Because I have a penchant for plunging button-down necklines my bras are often formed with great dips in the center, the cups sometimes held tenuously together by thin bits of string. This isn’t ideal for my breasts; in fact, I would say that my taste in clothing is in direct opposition to supportive, well shaped bras. I think one must have exceptionally high-placed breasts to comfortably wear a plunging V-shaped bra; my breasts are always wandering off in strange directions like unruly children.

And yet, although I’m clearly not on great terms with my bras, I continued to wear them. To not wear them had never occurred to me. Wearing a bra raises my breasts from their typical relaxed swing-low to a level that mimics the placement of a perky set. It shifts my nipples upward, low-beams turned to high-beams.

And then, with my breasts already sagging downward I lived with a tiny twist of terror in my stomach, the thought that someday my breasts would sag so low they’d end up level with my elbows. Characteristic of my imagination, they sagged down and down until I could imagine myself a white-haired hunchback with my breasts knocking at my knees. In a high-toned and perky culture my breasts can only hope to steadily decline.

I read an article last weekend questioning the myths surrounding bras. (Unfortunately while at work I cannot pull the link from the adult blog I found the article at. I will post it from a contained environment later this evening.) The prevention of the dreaded sag was front and center; the article argued that not only do we have zero proof that wearing a bra will prevent the breasts from sagging, but doing so for one’s entire life might encourage one’s breasts in a downward direction because the muscles of the chest wall never learn to support the breasts.

Huh, I thought. That actually makes quite a lot of sense.

I mean, what do we think happened to women’s breasts before we all started wearing bras? I doubt they grew significantly saggier. Yet there’s this image that unrestrained breasts will eventually drip down the chest like molasses and end up tangled in our feet.

The article then went into back pain, shoulder pain, bad fitting bras and the woes thereof. A ridiculously high percentage of the American population wear bras that are simply the wrong size. I’m guilty of this; my ideal bra size is hard to find. I also have chronic back pain; I carry a cramped muscle halfway down my spine that has not seen a relaxed moment since I was a freshman in college. I remain open to any back rub or suggestion that might unwind that damned Gordian knot.

Why am I wearing a bra every damn day of my life? Modesty? I admit that my experiment in bralessness had revealed that about half of my shirts are translucent in nature, but I am frankly not that kind of modest. Is the modesty to do with motion? Free from a bra my breasts wobble and shake. However, if wobbling and shaking are issues I might look into getting a girdle for my generous ass before casting aspersions elsewhere.

If not modesty, then I turn my eye to aesthetics. To perk or not to perk. Haul up the grapefruits on my chest a few inches and I’m that much closer to a beautiful woman.

Back pain and sagging tits. Bound flesh and conformed image. This is what bras might be doing for me? Adventurous spirit firmly in hand, I resolved to go a week without bras. I realize that in doing this I call up many feminist and social themes. That was not my intent; my intent was to survive with a minimum of madness.

Day one was irritating, as my nipples rubbed fabric with more attention than they’d had in weeks.

Day two the pain set in; my breasts were free-hanging, sore, and cranky.

Day three I struggled at my closet, trying to find something to cover the sheer revelation of aureole peeking through the white linen of my favorite shirt.

Day four in the morning hurt the most. My nipples throbbed, a tiny constant ache. By that afternoon they’d calmed a bit, but that day it was windy and frigid outside, and I remembered the warmth of that extra fabric layer with fondness.

Day five I almost threw in the towel; I put a synthetic, scratchy shirt on in the morning without thinking, and the irritation almost crippled me. That evening I changed to a low-necked sundress and self consciously kept glancing downward at my mismatched cleavage.

Day six was the first morning I pulled a shirt on without the odd sensation of missing a step. With a clinging tank top in place I felt both self conscious and sexy, the lines of my back uninterrupted for the first time in years. My nipples were insistently cold, as though my body couldn’t pump enough blood to their surface. They clamored for their cozy foamy cups.

Day seven I regretted my linen shirt again. I put myself in profile before my bedroom’s full length mirror and watched my breasts rise and fall with my breathing.

Without a bra my breasts are no longer a blank spot on my body’s radar. They shift, they move, they critique my shirt fabric and make themselves known. The discomfort of pinched underwire and shoulder straps fades to be replaced by sensitive tipped skin and the odd feeling of hard nipples all the time. It’s a curious mix and an uncertain trade-off; the discomfort I know compared with the discomfort I’m only just learning. The entire week I felt as though I was perched on the invisible edge of understanding something I couldn’t define.

The experiment ended this morning.

I am not wearing a bra today.

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The Most Subversive Post I Have Ever Written

So. It seems to me that outlaw cultures benefit from having the power to speak to and influence more mainstream cultures, said influence then being our defense against attack and our method of creating a space for ourselves.

It seems to me that a group of powerless people people cannot expect to have their rights defended solely from outside sources. Unfortunately, Superman does not fly around the globe defending sexual freedom, although I have to say I’d love to see it if he did.

It seems to me that power comes when people listen.

Why do people listen?

Seriously. Think about that. Who do you listen to? Why do you listen to them? I don’t mean to use the word to imply just hearing another person’s words and then responding, using them as a springboard for your own thoughts. I mean the people you take the time to understand when they present a viewpoint that is not your own.

Who do I listen to? I listen to people I respect. Why do I listen to them? Because they’ve proven to me in the past that they deserve my respect.

Logical problem. Redefine the question: why do I start listening?

I start listening to people I find interesting, or who I see as potentially having characteristics I value. I like people who are articulate, smart, excited. Funny. Wise. I like people who talk about things I care about. Everybody’s got a different list of reasons they might start listening.

It seems to me that commonly (not always, but commonly) I listen to people who are similar to me. It seems to me that most of us do this.

So if I, for example, wanted to say something to people who are incredibly unlike me, how would I get them to start listening?

Why else do I start listening? Well, I start listening to people who already hold some kind of power. Academics come to mind. It seems to me that this is common practice as well. We give more power to the powerful.

Beauty is a kind of power; more attention is paid to beautiful people. Money is a kind of power; more attention is paid to the rich. Mainstream education is a kind of power; more attention is paid to the educated.

Yes, of course it sucks. In fact, that right there might be most of the reason our world is fucked over. A self-perpetuating cycle of power based on class, wherein class is defined by values that we do not agree with.

Eileen, what the hell are you talking about?

You know what sparked this weirdly rambling thought process? Susan Wright, media spokesperson for sexual rights, wore a suit jacket to Floating World, a situation potentially involving the press. That’s it. That’s all it was.

I wrote that I like blogging because it partially protects me from agism. I wrote that I like wearing business clothes because I get better service in stores. What this boils down to is that I like being able to control my appearance because it allows me to affect my own power. I have this one particular way to expand and contract my cultural footprint, the space I take up, the influence I have on others.

(That’s right, sorry. This post is going to end up being about fashion.)

At the beginning of Pirates of Silicon Valley, Steve Jobs is trying to get a bank loan. He goes to a bunch of different banks in grubby clothes and long hair, repeatedly failing to get his loan until the day he gets a haircut and wears a suit. Banks don’t like long hair.

As much as it sucks to say it, if I dyed my hair bright blue and started wearing my leather jacket everywhere I went, my mainstream cultural footprint would shrink. This gets handled differently by different people; most members of outlaw cultures choose to say, “Fuck it, lookism is bullshit and I have a right to wear what I want and be respected.” Which is true. Which is why sometimes I do wear my leather jacket, and maybe I will dye my hair blue.

In theory I should have just as much power no matter how I look, because in theory emphatic gestures sweeping aside stupid opinions work perfectly. But practically applied, emphatic gestures just keep failing me.

What I look like says something about me. Maybe it shouldn’t, but it does. “Don’t judge a book by its cover” is still a proverb because people are still doing it.

If I know I get more respect in a suit jacket, even if I think the reasons behind why the respect is being accorded are false and damaging to my community, do I wear the jacket?

Do I reject culture or subvert culture?