11. Precious

Saturday night I pulled May up from the beige carpeted floor of our living room and onto our rough blue couch. He was wearing thin satin panties. A garter, a slippery nightgown. Pretty things. Pretty boy.

I held my lips over the skin of his throat and growled, feeling my lips peel back from my teeth. I climbed on top of him and ran my fingers through the air around his skin. He writhed upward, trying to make contact somewhere. Anywhere. I hid my laughter in his curls. He moaned. The bright pink tip of his cock slipped out the waist of the satin, and waved back and forth in the air.

After a little while I caught him up in a little ball, his legs folded close to his chest and my arms around his entire body. He tucked his chin down to his collar bone and looked up at me. Red eyelashes. He has red eyelashes. His mouth was trembling open, his eyes enormous.

“I love that look,” I murmured to him, just to watch him being sweet and coy. He flutters those eyelashes sometimes, when he’s pretty, when I compliment him. It goes right through my chest like a dart when he does that. I pressed my lips to his cheekbone, right at the corner of his eye. I smiled in his ear.

“You are so beautiful, precious, precious boy.”

Interlude

On the platform of the Inner West line at Central station a few nights ago, May grabbed my hand and pointed. “Look!” he said excitedly.

A few yards ahead of us, a tall, skinny boy dressed in black was walking slowly. He had long arms, long legs, broad shoulders, and his face, turned briefly, was pale-skinned and pretty. These things, however, I noticed only in retrospect.

He had thick hair the brilliant color of red gold. It cascaded off his shoulders and trailed down his back in wavy sheets, thick, curly pools of hair that ended just below the small of his back. It was the most beautiful hair I’d ever seen.

I stared, open-mouthed. My body tingled in simple lust.

May started off, deliberately tracking the boy down the platform. I hissed at him to stop, but followed. The boy paused by some benches, and May and I took up places a little ways away.

May was watching me, grinning. “Why don’t you go talk to him?” he said.

I shook my head. “I’m not going to go up to some totally random stranger.”

“Come on,” he urged. “Just say hello.”

I stood awkwardly, watching as the beautiful boy took his headphones from his bag and began to fiddle with an iPod. Behind me, our train started pulling into the station. My stomach felt tight, knotted up like wet rope. I dipped a hand into my bag and pulled a card from my wallet.

Almost collapsing from the sudden stage fright, I crossed the platform and edged into the boy’s vision. I flashed him a smile, and he returned it as he took his headphones from his ears.

“Hi,” I said. “I know you must hear this a lot, but your hair is really remarkable. I think it’s gorgeous.”

“I do hear that a lot. Thanks.” His voice was light. My eyes edged the clear lines of his cheekbones. His beard precisely matched the red-gold of his hair. “I hope I brightened your evening,” he said.

“You definitely did.” I held out the card. Behind me my train’s doors were opening. I could see May watching me, smiling. “Give me a call sometime if you’d like to get coffee or something.” I held out the card, and as he took it skipped back across the platform and nipped through the closing doors of the train.

I followed May to a pair of seats and collapsed, suddenly shaking. “Oh God,” I groaned, “I can’t believe I just did that. I’ve never done that before.”

“What’d he say?” May asked eagerly. I focused on relaxing the pit in my stomach as I told him. Suddenly I started laughing.

May was startled. “What’s funny?”

I wrapped my arms around my middle as I laughed. “Is that what meeting people is usually like?” I turned to him and made a face. “God, that sucks.

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Cup

Last week, for the first time in my adult life, I spent seven days without a bra.

I’ve worn a bra every day since I was 13. I remember my first bra; a white cotton thing, more of an abbreviated tank top than an undergarment. At the time I had no breasts to speak of. I simply wanted a bra. I was adamant, I insisted on being bought that silly white thing.

Since then I have fleshed up, filled out. I will never claim that my breasts are spectacular; they are, in fact, overwhelmingly ordinary. They fall from my chest outward, small against the breadth of my shoulders and the generosity of my thighs.

My breasts are not high, nor are they perky. Rather, they are long, hanging from my chest in soft U-shaped drapes with the nipples almost directly downward. They fold over my ribs, giving me creases of soft flesh in the center of my chest, one a finger higher than the other. This gives my cleavage the impression of being slightly mismatched.

In size, my breasts are a soft handful, larger than apples, smaller than melons. Perhaps a grapefruit apiece. I straddle the no-where land between bra sizes, a B cup in some brands, a C in others. Their skin is ever so pale, gleaming with the iridescent rivulets of stretch marks. After a summer in bikinis and on nude beaches my breasts have gone from white-on-white to cream-on-pink. My nipples are only slightly darker, light pink with yellow undertones and a tight, tiny splash of rose in the center. I’ve seen nipples ranging in color from chocolaty brown spots to wounds of brilliant red. My nipples are not so dramatic.

The oddest thing about my breasts, which has kept me from plumping my cleavage high in corsets and convinced me to forever avoid demi-cup bras, are their distinctively large aureoles. It’s as though the aureoles continued to grow on, leaving my breasts behind, or as though I inherited my mother’s nipples but not the double-D breasts to balance them out. I’m not going to stick a ruler down my shirt at the moment, but at a quick glance I would estimate that my aureoles are each just under four inches in diameter. This used to embarrass me. Now it amuses me. These wide circles of puffy skin are just one of the quirks of my body I’ve grown enough to like.

I’m not particularly fond of my breasts. I have definitely run the gambit of issues, flaws, bits of myself I want to cover or poke at or cut off. My breasts are not an exception, with their teardrop shape and insistently large circles. But then, nor do they particularly trouble me. They are a sort of blank spot on my body’s radar, neither sculpted nor slack. My sexual wiring lingers in my nipples momentarily, and a hand will often stray to my breasts during masturbation, kneading softly. Having my nipples played with, sucked or licked, however, is usually a tease. Not teasing in a good way; teasing similar to a fly I want to swat.

I have never had any really good bras. I’ve owned a few nice ones, with bits of lace here and there. These are few and far between, however, and I’m usually content with a simple foam cup, an underwire , some skinny straps. The gentlemen in the audience may or may not appreciate how much good bras cost; I cannot drop $60 on a garment that no one actually sees. I don’t see bras as a lingerie item, and in scenes and sex they usually end up crumpled on the floor under my jeans.

I have always had a vague longing for the fruity dips and curves of high-placed, rounded cleavage. My sexual interest in women is often prey to a bit of breast fixation. That’s right; I’m a breast woman. Supposedly expensive bras can plump me, fill me, perk me and round me all at once, but I’ve yet to lay down money for the test drive and am content with my less-than-mythic decolletage.

Because I have a penchant for plunging button-down necklines my bras are often formed with great dips in the center, the cups sometimes held tenuously together by thin bits of string. This isn’t ideal for my breasts; in fact, I would say that my taste in clothing is in direct opposition to supportive, well shaped bras. I think one must have exceptionally high-placed breasts to comfortably wear a plunging V-shaped bra; my breasts are always wandering off in strange directions like unruly children.

And yet, although I’m clearly not on great terms with my bras, I continued to wear them. To not wear them had never occurred to me. Wearing a bra raises my breasts from their typical relaxed swing-low to a level that mimics the placement of a perky set. It shifts my nipples upward, low-beams turned to high-beams.

And then, with my breasts already sagging downward I lived with a tiny twist of terror in my stomach, the thought that someday my breasts would sag so low they’d end up level with my elbows. Characteristic of my imagination, they sagged down and down until I could imagine myself a white-haired hunchback with my breasts knocking at my knees. In a high-toned and perky culture my breasts can only hope to steadily decline.

I read an article last weekend questioning the myths surrounding bras. (Unfortunately while at work I cannot pull the link from the adult blog I found the article at. I will post it from a contained environment later this evening.) The prevention of the dreaded sag was front and center; the article argued that not only do we have zero proof that wearing a bra will prevent the breasts from sagging, but doing so for one’s entire life might encourage one’s breasts in a downward direction because the muscles of the chest wall never learn to support the breasts.

Huh, I thought. That actually makes quite a lot of sense.

I mean, what do we think happened to women’s breasts before we all started wearing bras? I doubt they grew significantly saggier. Yet there’s this image that unrestrained breasts will eventually drip down the chest like molasses and end up tangled in our feet.

The article then went into back pain, shoulder pain, bad fitting bras and the woes thereof. A ridiculously high percentage of the American population wear bras that are simply the wrong size. I’m guilty of this; my ideal bra size is hard to find. I also have chronic back pain; I carry a cramped muscle halfway down my spine that has not seen a relaxed moment since I was a freshman in college. I remain open to any back rub or suggestion that might unwind that damned Gordian knot.

Why am I wearing a bra every damn day of my life? Modesty? I admit that my experiment in bralessness had revealed that about half of my shirts are translucent in nature, but I am frankly not that kind of modest. Is the modesty to do with motion? Free from a bra my breasts wobble and shake. However, if wobbling and shaking are issues I might look into getting a girdle for my generous ass before casting aspersions elsewhere.

If not modesty, then I turn my eye to aesthetics. To perk or not to perk. Haul up the grapefruits on my chest a few inches and I’m that much closer to a beautiful woman.

Back pain and sagging tits. Bound flesh and conformed image. This is what bras might be doing for me? Adventurous spirit firmly in hand, I resolved to go a week without bras. I realize that in doing this I call up many feminist and social themes. That was not my intent; my intent was to survive with a minimum of madness.

Day one was irritating, as my nipples rubbed fabric with more attention than they’d had in weeks.

Day two the pain set in; my breasts were free-hanging, sore, and cranky.

Day three I struggled at my closet, trying to find something to cover the sheer revelation of aureole peeking through the white linen of my favorite shirt.

Day four in the morning hurt the most. My nipples throbbed, a tiny constant ache. By that afternoon they’d calmed a bit, but that day it was windy and frigid outside, and I remembered the warmth of that extra fabric layer with fondness.

Day five I almost threw in the towel; I put a synthetic, scratchy shirt on in the morning without thinking, and the irritation almost crippled me. That evening I changed to a low-necked sundress and self consciously kept glancing downward at my mismatched cleavage.

Day six was the first morning I pulled a shirt on without the odd sensation of missing a step. With a clinging tank top in place I felt both self conscious and sexy, the lines of my back uninterrupted for the first time in years. My nipples were insistently cold, as though my body couldn’t pump enough blood to their surface. They clamored for their cozy foamy cups.

Day seven I regretted my linen shirt again. I put myself in profile before my bedroom’s full length mirror and watched my breasts rise and fall with my breathing.

Without a bra my breasts are no longer a blank spot on my body’s radar. They shift, they move, they critique my shirt fabric and make themselves known. The discomfort of pinched underwire and shoulder straps fades to be replaced by sensitive tipped skin and the odd feeling of hard nipples all the time. It’s a curious mix and an uncertain trade-off; the discomfort I know compared with the discomfort I’m only just learning. The entire week I felt as though I was perched on the invisible edge of understanding something I couldn’t define.

The experiment ended this morning.

I am not wearing a bra today.

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The Most Subversive Post I Have Ever Written

So. It seems to me that outlaw cultures benefit from having the power to speak to and influence more mainstream cultures, said influence then being our defense against attack and our method of creating a space for ourselves.

It seems to me that a group of powerless people people cannot expect to have their rights defended solely from outside sources. Unfortunately, Superman does not fly around the globe defending sexual freedom, although I have to say I’d love to see it if he did.

It seems to me that power comes when people listen.

Why do people listen?

Seriously. Think about that. Who do you listen to? Why do you listen to them? I don’t mean to use the word to imply just hearing another person’s words and then responding, using them as a springboard for your own thoughts. I mean the people you take the time to understand when they present a viewpoint that is not your own.

Who do I listen to? I listen to people I respect. Why do I listen to them? Because they’ve proven to me in the past that they deserve my respect.

Logical problem. Redefine the question: why do I start listening?

I start listening to people I find interesting, or who I see as potentially having characteristics I value. I like people who are articulate, smart, excited. Funny. Wise. I like people who talk about things I care about. Everybody’s got a different list of reasons they might start listening.

It seems to me that commonly (not always, but commonly) I listen to people who are similar to me. It seems to me that most of us do this.

So if I, for example, wanted to say something to people who are incredibly unlike me, how would I get them to start listening?

Why else do I start listening? Well, I start listening to people who already hold some kind of power. Academics come to mind. It seems to me that this is common practice as well. We give more power to the powerful.

Beauty is a kind of power; more attention is paid to beautiful people. Money is a kind of power; more attention is paid to the rich. Mainstream education is a kind of power; more attention is paid to the educated.

Yes, of course it sucks. In fact, that right there might be most of the reason our world is fucked over. A self-perpetuating cycle of power based on class, wherein class is defined by values that we do not agree with.

Eileen, what the hell are you talking about?

You know what sparked this weirdly rambling thought process? Susan Wright, media spokesperson for sexual rights, wore a suit jacket to Floating World, a situation potentially involving the press. That’s it. That’s all it was.

I wrote that I like blogging because it partially protects me from agism. I wrote that I like wearing business clothes because I get better service in stores. What this boils down to is that I like being able to control my appearance because it allows me to affect my own power. I have this one particular way to expand and contract my cultural footprint, the space I take up, the influence I have on others.

(That’s right, sorry. This post is going to end up being about fashion.)

At the beginning of Pirates of Silicon Valley, Steve Jobs is trying to get a bank loan. He goes to a bunch of different banks in grubby clothes and long hair, repeatedly failing to get his loan until the day he gets a haircut and wears a suit. Banks don’t like long hair.

As much as it sucks to say it, if I dyed my hair bright blue and started wearing my leather jacket everywhere I went, my mainstream cultural footprint would shrink. This gets handled differently by different people; most members of outlaw cultures choose to say, “Fuck it, lookism is bullshit and I have a right to wear what I want and be respected.” Which is true. Which is why sometimes I do wear my leather jacket, and maybe I will dye my hair blue.

In theory I should have just as much power no matter how I look, because in theory emphatic gestures sweeping aside stupid opinions work perfectly. But practically applied, emphatic gestures just keep failing me.

What I look like says something about me. Maybe it shouldn’t, but it does. “Don’t judge a book by its cover” is still a proverb because people are still doing it.

If I know I get more respect in a suit jacket, even if I think the reasons behind why the respect is being accorded are false and damaging to my community, do I wear the jacket?

Do I reject culture or subvert culture?

A Walking Streak Of Sex

Occasionally, not often, but occasionally I am psychic.

Yesterday a man I have been flirting with for years met a very close friend of mine. They talked, they walked, he drove us home and spent a few minutes alone in his car with her. So this morning I set my phone on my desk and waited for the text message I knew was coming. When it showed up, 11:37 am, I laughed out loud and my colleague in the next cubicle had to ask me what the joke was.

Why didn’t you introduce me to her sooner? the text message said.

And I laughed because everyone who meets this remarkable woman, my friend, crushes on her instantly. It is like perfect erotic clockwork. Even I was subject to it, once upon a time.

She will spend a few minutes speaking with a boy behind a counter, and later he’ll track her down just to give her a gift. She will have drinks bought for her at bars. She’s the only person I know to every have herself mentioned on Craigslist’s missed connections. Her friends keep seeing this happen, how she melts men and women simply by walking in a room, and wondering “How does she do that?”

I have previously described this woman as a walking streak of sex, although she is milder by far than the literary reference would imply*. She has big green eyes and glowy skin that just looks soft.

Because I know her well, I know this attractiveness is partially unconscious. She is sweet, genuine, and interesting. She is uniquely beautiful, the kind of beauty that stays with you after she leaves. She is in some ways the epitome of the girl who’s gorgeous precisely because she has no idea how gorgeous she really is.

Once we were both in love with a boy who treated us as his best and closest friends. She and he were briefly together, he and I never were. We are all still close friends, our lives and relationships tightly knit. At the time I spent one bad day pissed that she’d had the interaction I wanted, but quickly swung around to being pissed at him for emotionally fucking her over.

So I called the gentleman back this morning and teased him kindly. “Also,” I added after he was finished blustering, embarrassed and cute, “this is your official heads up that I have been mildly jealous on this issue before, so although it’s really not a problem I will appreciate you being aware.”

“Dooooes that mean I can give you a hard time about it?” he quipped.

I chuckled. “As long as you understand that any hard times you give me will be returned tenfold.”

“Well, I would expect nothing less, from you,” he said, pouring on the innuendo in his good natured way.

I am a ‘one of the boys’ woman. I am more often a sister than a lover. I like this, most of the time. It makes it easier to get men to talk. But I’ll admit, I have my moments. Moments that are not so much blinding jealousy, which would be entirely out of character for me, but rather little pinpricks of memory and amused regret.

Because I love who I am and how I make my way in the world, but come on, wouldn’t it be nice sometimes to melt men’s hearts simply by the way you walk, or the sweetness of your smile?

So, more productive by far than some elaborate game of envy with no possibly good outcome, I just keep wondering aloud, “How does she do that?” and waiting for the very good day when she becomes aware of the ripples she makes in the world.

*See the character of Danny, Midnight in the Garden of Good and Evil.

Charcoal Willow Sticks

In one of our nude beach outings last month, a bunch of people got into a discussion about body types. This was a fairly obvious discussion to get into, surrounded as we were by naked bodies of all iterations. Eventually a theory was put forth that people automatically categorize those they see into specific body types.

The professor, who was lounging on a blanket at the time, looked at me. Simultaneously, I looked at him. We exchanged a silent nod, and then smiled.

“Yea, um,” I said. “Artists don’t actually do that.”

The professor (who teaches art) chimed in. “There’s an alternate understanding of visual relationships.” Obviously he sounded smarter. His nickname is the professor, after all.

I’m thinking about this conversation now in relation to the recent posts May and I have made about pretty men. May is a pretty man. I find him extremely attractive. But only vaguely is he “my type.” I have some generalized preferences, but in the end, I don’t have a type. And curiously, I think this kind of thinking stems directly from how art is involved with my life.

I started drawing before I can remember. I know this is so because my parents saved all my drawings for me to look at later. (Why do people do this? They saved everything. We have a whole filing cabinet full of my crayons.) But unlike most kids who can draw when they’re six but not when they’re sixteen, I didn’t grow out of drawing. I could always draw.

But then, even though I could always draw there was a specified starting point when I began to educate myself about drawing. Seven or so years ago I began taking classes. I read some books. I fought like hell to get into a drawing class as a college freshman that I would never have been allowed to take if I hadn’t been as talented as I was. The class was taught by a short dumpy man, bitter, balding, who would wear brightly colored ties and tell us stories about eating in diners with Jackson Pollock. He never uttered a word of praise in his entire class, he was vicious tearing into people’s motivations, and he could break sight into shape and line like a child hitting windows with a baseball bat. He was also a famous professor, in demand, brilliant, and had no qualms in showing it. I was a little bit in love with him.

I might have been a little bit in love with him because he was the first person to say this to me out loud: “You’re going to look at the world differently, and you’re going to do it all the time. And,” he would sometimes add, “you’re going to work to do it.”

This was the year I consciously recognized that I was redefining my visual relationships all the time. Not just in class, not just with a sketchbook in my hand. This was also the year I came out as bi. It was the year I joined the public scene. Are these things related? Bisexuality, at least, makes a lot more sense to me when beauty conveys itself in abstracts rather than gendered archetypes.

When you first start to draw, a common practice is to create an image of a face. Your face, maybe. So you draw two eyes, and a nose and a mouth, you give it some hair and ears and a line that encircles the head, and then you sit back and start thinking why the hell it looks nothing like you.

Similarly, you could draw your own body. If you’re a woman, you draw a head atop a neck, with shoulders and arms, breasts, waist, legs, feet. Again. Nothing like you.

Then you start thinking about how the pieces fit together, and the way that the creases in the skin can be echoed by your pencil on the page, and how shapes superimpose themselves.

This is the thing I learned very, very quickly as an artist: Holding a preconceived or stereotyped notion of body image is the fastest possible way to fuck up your figure drawing.

When I look at faces I see lines and shapes. I see cheekbones in relation to eyes in relation to the spacing of the forehead and the chin. When I look at bodies I see planes and angles and negative space. I see details, curves, and intersections. I find these elements more interesting, and in many cases much more attractive than specific body parts or specific adherences to aesthetic codes.

Seriously, would you like to help yourself break down the cultural imprints of stereotypical imagery in your brain? Learn to draw.

What does this mean for me? For one, it means that the people I’m attracted to look very different from one another. It means that I have never had a lover or partner I did not find aesthetic pleasure in. It feels slightly as though I’ve expanded my conscious perception of beauty as reflected in human aesthetics.

It also means that the thought processes in my head seem to work differently than those around me. I like different kinds of pornography. I point out different people on the street. I notice quirky details, and then notice myself noticing them and wonder if that’s the artist in me coming out.

Pleasing By Delicacy Or Grace

This post is for the pretty men.

Now, when I say pretty, I don’t mean broad shoulders, rippling muscles, carrying power tools and towering over me. I don’t mean that genre of men, though god knows I’m a fan. I am a happy member of the cheering section.

I mean the men with soft skin, full lips, femme clothing. Men with skinny limbs and long hair. Men who like to wear satin and velvet. Men who like to feel pretty.

Pretty (adjective): pleasing by delicacy or grace.

You know who you are. This one’s for you.

There is some serious fuckupery concerning how body image issues are presented. Take a minute and think about who talks about body image. Think about the last time you had a discussion about body image. Think about the language you used.

Nine times out of ten, I’d bet that language was gendered. I’d bet you were talking to a woman. Woman’s issues. Woman’s weight. Women’s bodies. We’re teaching women how to accept cultural stereotypes, and how to fight them. Women’s body issues are vocalized.

Does it not seem a little fucked up that men’s body issues are not? When body image is considered a women’s only issue, we continue to strengthen the idea that only women are judged by their bodies. In a twisted kind of way, we continue to objectify ourselves while we fight not to be objectified. Following from this, we pigeonhole men into the role of the objectifier while simultaneously ignoring them as possible victims of cultural stereotypes.

Men are praised for their attractiveness in totally different ways. They are held to totally different, strictly gendered, strictly masculine standards. These standards, by the way, are almost never standards of beauty. They’re standards of wealth, of skill, of strength, of ownership and possession. May’s attraction is judged by how hot his girlfriend is. Most people look at me. Only rarely do they look at him.

Even the uprise of the metrosexual fashion movement in urban areas perpetuates the dichotomy separating modes of attraction. Metrosexual men can be in touch with their feminine side, can “reject macho stereotypes”, can use expensive hair care products and wear aesthetically pleasing clothes. But god help them if they decide to wear a satin nightie to bed.

This blindness leaves a vast, gaping hole that pretty men keep falling down.

Men aren’t the attracting partner. Men don’t get pursued. Men aren’t androgynous. Men aren’t bisexual. Men don’t want to be pretty. Men don’t want what women have. The most damaging of all? Shut up and take it. Be a man.

Ladies, hate to break it to you. Our bodies are pushed and shoved and stereotyped to within an inch of our lives. And yet, the freedom we’re allowed in breaking gendered stereotypes of attraction is epic, compared with our fellow men.

Why are we so much more okay with women in men’s clothing than we are with men in women’s clothing? I wear boy-cut jeans and a ratty button-down, and I don’t get a second glance, and I’m not necessarily a lesbian. But May wears girl-cut jeans and a ringer tee that I gave him, and he gets looks on the street, and he must be gay. Never mind he’s holding hands with a chick.

We bitch and yell when men want to dress up as women to be humiliated. (I bitch and yell with the best of them.) What about the men who’ve been told, over and over, that a man who wants to be a woman is supposed to feel humiliated?

What about men who just want to be pretty in the only way they’ve been taught is possible: by being more like women?

There is no middle space where “real men” can feel pretty. If you’re a man who wears women’s clothing or makeup, either you’re gay, you’re just getting off on being humiliated like a weak woman, or you’re three steps away from a gender transition and you just haven’t gotten there yet. And it’s such bullshit.

There needs to be some gender fluidity, and it needs to flow both ways.

If a woman opens up and says she’s feeling unattractive in comparison with cultural standards, the common mode is to support her in a sensitive, relatively ungendered way. We’ll talk about her mind, or her ideas. But if a man opens up and says he feels unattractive in comparison with cultural standards, we tell him he’s strong. Bad logic, damnit, bad logic!

But never mind. A real man would never say that in the first place.

Posterius Maymayeus

“I shall write an ode to your bum!” I proclaimed one night. (I was drinking hot toddies; it came out a bit like “Ishil ritanode toyer BUM!”)

May looked at me, an adorable mixture of bemusement and self consciousness. “Uh huh, sweetie. That would be weird, but you write whatever you want. Maybe you should sit down?”

What is there to say about May’s bum?

I call it a bum quite consciously. It has none of the adolescent sniggering of a butt; only a smattering of the gritty sex appeal of an ass. It is rounded, very soft, and exceedingly cute. It is a bum if ever I saw one.

When I first met him, May did not have a bum at all. I remember one of the first nights he spent in my bed. I lifted his bum in the air with two fingers hooked into his pubic bone on either side, and as his legs spread wantonly open I remember his perineum bulging outward, prominently displayed against the flatness of his inner thighs. He was achingly skinny, achingly aroused.

I didn’t think about his bum, then. I had never had a partner with a particularly pert ass, and had yet to understand the appeal.

Of course, as the relationship progressed I began fattening him up. All very subtle, of course. When I met him you could count his ribs with his hands at his sides, and his jawbone was etched in stone. Once his mother, his incredibly Jewish mother, commented on this. I agreed, thusly: “Yes, the boy looks like a Ho- . . . like a famine victim.” Behind her back May and his brother choked on their orange juice to keep from laughing. Hello, my name is Awkward, could I stay a while?

My campaign to put meat on his bones rests mostly with the siren call of the Milky Way bar. Maymay cannot resist this combination of chocolaty, nougaty goodness. He’s very particular; regular Milky Way bars are ideal for munching. Popable Milky Way candies are summarily rejected (wrong chocolate to nougat ratio) while dark chocolate Milky Ways are reserved for special occasions. And king sized? Look out, world.

I hid them in my purse. I slipped them in my pockets and sent him hunting for them. I would ask him in drugstores, “Do you want a Milky Way?” He’d say “Noooo, they’re so bad for me!” and I’d smile, and buy it anyway.

And then one day he slipped on his first pair of tight-fitting jeans, turned in a pert little circle, and there it was. The bum.

May’s body is for the most part skinny, with muscular limbs and a triangular torso. His bum is round, soft, and just a bit on the squishy side. When he lays on his stomach it protrudes like a pillow. I carry my fat in my hips and my thighs; May carries his entirely in his posterior. I am shaped like a pear. He’s shaped like a porn star. Adorable little bastard.

From pictures you may or may not have seen, you might know that May’s skin is about the color of a polar bear in a blizzard. He’s covered in the posterior regions with a fine little coat of very small, very blond hairs. Slap a hand to his ass, fingers spread, and the handprint lingers on. If you do it hard enough, it can stay for hours.

Maymay is also (just a little bit, slightly all the time) anal retentive about personal cleanliness. We won’t talk bathroom habits in this particular entry, but suffice it to say I have never met such a well-soaped anus in my life. It even smells lovely. Skin and Old Spice and vanilla ice cream; this is the smell of May’s bum on warm evenings in bed. I like to bite his flesh, tongue it, roll it around in my mouth. It makes him pout when I bite his bum. Oh, I just can’t get enough.

And because I am on a calculated, tactical campaign to impress May with the reality of his sexual attraction; I pay a lot of attention to this part of him. A day does not go by when I do not grab his bum in some public setting or caress it in privacy. When I met him Maymay could not stand to be hit in that region of his body; spanking would drive him into a blind rage. I systematically destroyed this response. In this more than any other place, his attitude to spanking, I admit a deliberate, manipulative hand.

And then, there came the wiggle.

One day, pressed close against each other in bed, he made a little animal noise, combined with a tiny movement of his rear. It was not quite a shiver, not quite a wriggle. It was a wiggle. I was almost incapacitated by the cuteness of this gesture.

He kept doing it. Soon he was doing it at parties, on the subway, everywhere. It became how he said hello, how he said goodbye, how he said I love you. All of this contained in the wiggling of his bum. It got a soundtrack, an accompanying “wiggelzeebums” type of word. We joked that if he were ever made into a Super Mario Smash Brothers character, the bum wiggle would be his attack move.

His bum has become a character in our relationship. It has its own language, its own habits. It is a plump little inside joke.

Sometimes when May is tripping about the apartment, wagging that naked bum of his at the neighbors and dragging his long boned feet, I stop, and sit back, and watch him. This makes him self-conscious; he will stand pigeon-toed and wave at me. Sometimes I will stop him in the kitchen while I’m sitting at the table, pull him close and plant lines of kisses down his protruding hipbone, take little nips out of his skin and cup my hands around him.

He’ll stand for this for a minute or two, usually. Sometimes we get into little tug-of-wars. He’ll want to go back to fixing dinner, and I’ll be rapidly forgetting food in the luxurious, distracting swell of his skin.