19. Submissive Super Villain

I’m still stuck on Michael Rosenbaum from Smallville. Curiously, he’s only attractive without hair.

Celebrity crushes are a strange, strange breed of crush. They seem to simultaneously juxtapose free objectification and huge amounts of access. Or, to put it another way, I mused once upon a time that seeing Superman fall to his knees in pain was far hotter than seeing a random man do the same. Why? It’s all in the emotion. Superman and I, we have a history. He has a character. He’s that much closer to real while still being essentially fake. A living fantasy.

This Michael Rosenbaum/Lex Luthor thing has gone on for months. He’s taken up permanent fantasy-harem residence. He spends most of his time crying.

I find the length of this crush a little disturbing, actually. I’ve never seen Rosenbaum in a single other film (apparently he did drag for Sorority Girls?) and at this point he is Lex Luthor. And Lex Luthor is…damn. He is the hottest super-genius potentially submissive brilliant asshole ever to walk the face of comics.

And in case no one has noticed yet, yes, I do have a thing for submissive, brilliant assholes.

One of the reasons this is a little disturbing is because I’ve realized recently that Rosenbaum’s facial structure is an almost exact match for a boy I knew in high school. Now my high school memories are getting a bit confused, and a whole lot steamier.

16. Nostalgia

It’s Leather Pride Weekend in NYC right now, and damn, the nostalgia is just non-stop. My first Folsom Street East I had just started going out to public events beyond the boundaries of the tight-knit group of friends I was accustomed to. I remember I wore a green dress and a short leather vest, and I felt about seven feet tall. I watched the drag shows with a glee bordering on fascination, and had my boots shined, those pretty leather boots that were lost a few months later, somewhere in an apartment in Brooklyn.

I miss New York. Tonight I tied May’s hands above his head and ran my finger up and down his body, and then up and down his cock. I did it over and over, for almost two hours, and I watched him twist and pull his arms to his face to bite at the tender skin. As I did, I pressed into him. I swung my leg up along his shoulder and put my foot in his palm, and he wove his fingers in and out of my toes as he gasped. And I thought how glad I am to have him with me.

12. Later

Late that same night I held May’s wrists down and wrapped my legs around his waist. I hovered over his face and watched him. He rippled his body in an S-shape between my thighs.

“When are you going to fuck me?” he said in a tiny, tiny voice.

Now, I thought. I didn’t say it out loud. Instead I hooked a finger behind the steel ring around his neck and dragged him to his feet and through the bedroom door. I stripped his clothes off and left them in a trail of little satin puddles. I pulled tan leather straps and silicone from our new teak toy chest. When I bought the chest it came with a little card, detailing the history of the ships the teak was salvaged from.

I pressed him into the bed with one hand on the dip of his spine. He arched his back in the air with his ass pointing straight up, and I laughed and had to push him back down to get him in a position I could actually penetrate from.

He made the most amazing noises. He started by moaning vowels out low in his throat, like music. When I thrust faster he gave low boar-grunts that ended in little mouse-squeaks, and when I finally stopped and lay across his back he sighed so deep I could feel it curl his toes.

11. Precious

Saturday night I pulled May up from the beige carpeted floor of our living room and onto our rough blue couch. He was wearing thin satin panties. A garter, a slippery nightgown. Pretty things. Pretty boy.

I held my lips over the skin of his throat and growled, feeling my lips peel back from my teeth. I climbed on top of him and ran my fingers through the air around his skin. He writhed upward, trying to make contact somewhere. Anywhere. I hid my laughter in his curls. He moaned. The bright pink tip of his cock slipped out the waist of the satin, and waved back and forth in the air.

After a little while I caught him up in a little ball, his legs folded close to his chest and my arms around his entire body. He tucked his chin down to his collar bone and looked up at me. Red eyelashes. He has red eyelashes. His mouth was trembling open, his eyes enormous.

“I love that look,” I murmured to him, just to watch him being sweet and coy. He flutters those eyelashes sometimes, when he’s pretty, when I compliment him. It goes right through my chest like a dart when he does that. I pressed my lips to his cheekbone, right at the corner of his eye. I smiled in his ear.

“You are so beautiful, precious, precious boy.”

9. What I Like

On them: Button down, collared, white shirt. Linen or cotton, slightly textured, slightly translucent. Brilliant white or natural white or ivory. Slim cut to cling to the waist and frame the shoulders. No tie. A few buttons undone, maybe showing off a bit of jewelry or a thin metal collar.

Tight blue jeans, preferably on the dark side of blue, tight through the thighs and stretched round and swelling over the ass. A button fly, a belt with maybe a little punk edge. Quirky, comfortable shoes. On boys, sneakers, on girls, cute low heels.

Gah.

On me: Black a-line tank top. Tight denim jeans, my heavy studded belt, my Converse rip-off sneakers. Hair cut short and in my face. Wallet in one pocket, knife in the other. Whip in my hand. It doesn’t matter what I look like, in the end.

There’s a place for the classics of fetish, and I do like leather sometimes. I do like those chest harnesses with o-rings in the center, and I do love a girl in a garter belt. But I would really, really love to go to a fetish party someday and be surrounded by beautiful bottoms dressed in casual white, and all the tops in Cons.

5. Grime And White Tile

A lesbian, a tranny chick and a kinky girl walk into a bar…

I’m sorry, did my life start to resemble a comedy routine for a moment there?

When I’m out in public, usually in bars or restaurants, I have a habit of lingering in bathrooms. I don’t have any particular yearning for bathrooms themselves, and I’m not usually into the kind of play one would associate with such places. And yet I linger, because it seems to me that most bathroom stalls are the perfect size for dungeon rooms. Interrogation rooms. Prison cells. Most public bathrooms have the right feel as well; that artless blend of grime and gleaming tile, metal pipes and sharp corners. I especially love it when bathrooms aren’t full of stalls, but instead are created via a network of tiny, closed rooms. I like how the doors lock. I stand in the middle of the little stretch of wet floor, feel the space between my shoulders and the walls, and imagine bodies huddled in the corners. I imagine creaking boots and leather gloves and the color red on white. I think about fists, and nightsticks.

And then I go back into the bar, curl back into my seat, sip my wine, and smile.

How To Write Porn For Me

For one reason or another, more text-based porn than usual has made it across my radar in the last few weeks. (Thank you for the links, gentlemen, you are very sweet.) And it’s gotten me thinking. (And other things as well.)

 Most pornographic stories are bad; a vast and sweeping generalization, I know, but I’ll let it slide for the moment. However, more often they are not so much bad as they are off target. They make me feel like ringing the author to say “Great effort, but the judges just couldn’t relate to your performance.”

 And it occurs to me that while many, many, many resources exist to enable better writing, not many resources exist that are specifically designed to teach a writer how to target their audience. In fact, I would venture that most of us can’t really manage to write for audiences unlike ourselves, even when we actually try to (and, let’s face it, most of us don’t even try.) Especially regarding this particular subject matter.

And look, I’m not talking about great literature here. I’m talking wank material. Brown paper wrappings. Not safe for work. Porn. Which can still be great literature; the two are not mutually exclusive, although they do entail different perspectives and skills. It’s a bit of an alien experiment for most of us, the writing of porn. I don’t often write it, and you readers never see it when I do.

So, in my half helpful, half rantish mood, I thought I’d give a little Cliff Notes version of how to target porn for an audience I might relate to. Namely, dominant women. (Solipsism? On a blog? Impossible.)

This is how to write porn for me. Not that I expect you to, and not that I’m anticipating that any of you actually will. But many people try, and the success rate is just too low to ignore. So if you’ve ever been curious how to write pornography that a dominant woman would enjoy, here’s my side of the story. (I highly encourage each of you to write your own list for your orientation as well. I’m tempted to meme that suggestion, but I don’t think the world really needs more memes.)

Onward, and leaving aside the obvious things like “write about kinky sex” and “yes, women read porn too” and “yes, male bottoms are sexy” and “yes, as a matter of fact I am queer,” here is the not-so-secret list of hints and tricks. 

1. Get out of my head.
Many of the stories I read are entirely made up of long, complicated inner monologues about arousal and angst and the contemplation of dominance. I give this tactic a great big failing mark in bright red pen. Remember the purpose of the piece. If you’re writing academic prose or fiction, go ahead and explore the psyche of your dominant character. Interesting? Definitely interesting. Sexy? Not sexy. Pornography is not contemplation. Pornography is action.

 One of the questions we keep asking about pornography is how the reader relates to the characters, i.e. what character will I choose to inhabit? As I have mentioned before, I usually resist “inhabiting” dominant characters, because they annoy me. Instead I will eroticise a third-person perspective of a story, or inhabit the character of the submissive in order to better translate their reactions into wankable material. I would rather not have to do this, but inevitably I find dominant women in pornography alienating and annoying, not because they’re behaving stupidly or doing something I don’t relate to, but because they just won’t shut up.

1a, related: Skip my orgasm.
Unless it advances the plot or is necessary to complete the story, you can leave out all of the bits about the shock waves and juiciness the me-character is feeling. Usually when I get to this part I skim over the lines, usually while thinking, “Been there. Done that. Trying to get there again. Don’t need a guidebook.”

2. Focus on the bottom.
Following very obviously from the above points is this; I don’t want the focus of my pornography to be on the character I’m supposed to be inhabiting, but on the character I find attractive. Or, as other women have said before me, omigod hot slaves! Get the view off the dominant and onto the submissive. I want the bottom’s monologue, the bottom’s reactions, the bottom’s screams, the bottom’s emotions. I want to read the side of the story that I find sexy. Shocker: that’s not me.

3. Write my kinks.
Obviously I would love it if every pornographic story I read was about the things I love. Wouldn’t we all? Give me harem slaves, give me cages and heavy metal, whips and chains, tenderness and flinching, slapping and strengths and service. Give me fantasy and living artwork and quirky details. Give me rituals, love, slavery, fear. Give me characters who are joyful, who are confident, genderqueer, beautiful, funny, sexy, smart, skilled. And especially, give me great long strings of language and all of those searing, desperate words I love.

4. Write your kinks.
My kinks aren’t everyone’s cup of tea, and as far as I’m concerned that’s fine. If none of the things I like get you off, then write about something that does get you off. Showcase your specific enthusiasm and passion, and the arousal will translate.

5. Write well.
I know that as you’ve been reading this you’ve been mentally gearing up for my (hopefully witty, you cross your fingers) contribution to the titanic outpouring of hatred against improper grammar, spelling, and punctuation that already floats about online. You can stop bracing yourself; you won’t get it. Two points on this:

Point the first: It’s porn, for fuckssake.
When it’s porn I really don’t care. I will not be brought back from the brink of orgasm by a misplaced apostrophe. (Honestly, if you’re brought back from the brink of orgasm by something so minor, I would suggest that you examine your grammatical hang-ups with a more critical eye.) In literature these things are important. In porn, frankly, not so much. I spoke out strongly against the Kushiel series recently not because they aren’t good pornography (they contain, in fact, some scattered moments of very good pornography) but because they aren’t good literature.

And point the second: Of course I would prefer proper grammar, proper spelling, proper punctuation, but good writing is not the same as these things. I suspect that many potentially good writers (pornographic and otherwise) don’t write because they fear being vilified over these aspects of their craft. And, of course, because on the internet there are no full time copy editors.

When I say “write well,” I mean to present developed characters, engaging scenarios, powerful interactions, and emotional growth. That sounds more complex than I could rightly ask for in pornography, but it’s actually a deceptive set of very simple ideas. A character can grow emotionally by simply moving from pain to acceptance. Our erotic imaginations have scenarios and interactions galore. As I said, pornography is about action. And as for character, which seems to stump so many people, hell, there are characters everywhere. Write slash if you don’t want to make your own. Appropriate your friends. Appropriate people you see on the street or meet in shopping centers. Appropriate your blogroll. I’ve been appropriated in pornography a few times in the past, and it always seems to turn out remarkably well.

And that’s it. It’s not a very long list, being the Cliff Notes version. But as May said last night when I was ranting the baby beginnings of this post at him, “Sex just isn’t that complicated.” And in the end, he’s right.

Now that I’ve written all of this down, I think I might just go write some pornography of my own. Who am I writing for? What’s on your how-to list?

Friday Night And Sweet White Wine

I wouldn’t usually allow myself the indulgence of posting in this blog while completely knackered on wine and Friday night promises. But I am just drunk enough  that I’ll let it slide. Just this once.

Here’s what I wanted to say, the thing I probably wouldn’t say without that sweet white wine:

I also have an oral fixation.

May is siting across from me right now in a leather armchair, with his leg stretched out along the beige carpet, and when I look at him I think, “Fuck dominance, fuck dignity, all I want to do is lick my way up the skin of his legs, his hips, his stomach and neck, and sate myself in the texture of his hair. All I want to do is lay him down on our bed and let my mouth go roaming.” My mouth tingles with the thought, his soft, butter-smooth skin catching on my lips, opening to me, offering to me.

His skin is like vanilla ice cream. I look at him and want to eat him up with relish, like a delicacy. Earlier he brought me my wine in a tall water glass, and I pulled him up against the rough fabric of the couch, scraped my teeth over the fleshy head of his cock and tried like hell to ignore how much I wanted to just bite down.

There is a weird fucked up paradox that places want and need in submissive spaces. The part of me that is a drunken, dominant, desperate connoisseur is here to tell you: that is bullshit, bullshit, bullshit. I want May so badly it hurts to look at him. My mouth aches for him. My fingers tingle when I think of touching his velvety, amazing skin. 

I want him. Fuck all the shit that says I shouldn’t want, that says I have distance and control. I have no distance. I barely have control. My lips pulse at him, the urgent need to just push him to the floor and devour, to pick him up and curl him in my arms and eat him whole.

Protected: On The Rotation

This post is password protected. To view it please enter your password below:


The Thing About Tiggers

The events of the past six weeks (damn, six weeks already) have put me off the Internet. I have commented scarcely, posted rarely, abandoned my Scrabble games in lonely binary heaps. Curiously, in this age there is actually such a thing as an electronic hermit.

But, all things pass.

I’ve recently started reading Axe’s blog, ever since I got a few chances to chat with him in person. Axe is a sweet, smart submissive guy here in New York, who writes primarily about his search for a relationship with a dominant woman. I get the impression that his search has morphed into something of an epic quest at this point, spanning several years and causing him to move from the midwest to New York City.

As is often the case for those of us with experientially based learning styles, for me recognizing a thing is not the same as knowing a thing. As such, I often come to long foregone conclusions in my own way, and in my own time. Getting to know Axe has really driven some issues home for me, issues that Maymay and others have been writing about for ages.

Where the hell are all the dominant women? Where are the women like me?

The supposed scarcity of dominant women is bemoaned, condemned, dismissed and mistrusted. And yet, my experiential evidence within the New York scene confirms this scarcity.

And, a less-recognized issue but one that I find personally just as relevant: Where are the other couples in relationships like mine?

I think I’ve remained so persistently blind to this imbalance because addressing this issue demands that I acknowledge exactly how rare I am. I have no real sense of personal rarity in my life; it consistently surprises me that other people are not like me.

Obviously there are multiple issues at work here, which play against one another. The scarcity of dominant women in the scene says many (predominantly negative) things about how scene space welcomes women, and how the dominant sexual orientation is portrayed and understood. The scarcity of femdom/malesub couples speaks to the scarcity of desirable, sane, smart male submissives, which in turn illuminates how the scene marginalizes that brand of sexuality.

Honestly, folks, there’s too much at work here for a single entry, or even a single blog. Here’s my suggestion: for more insight on how scene space “welcomes” dominant women, I refer you to the brilliant, bitter Bitchy Jones. For more insight on how submissive men are marginalized, see Maymay’s entire blog.

Just right now, just here, I want to talk about what the scarcity of dominant women means to me, as a dominant woman in the public scene.

Axe writes not once but twice that Maymay and I are the only femdom/malesub couple he knows. This confirms my experience; we are the only femdom/malesub couple I know as well. The rare dominant women I do know in passing are usually dating dominant men.

I intend to keep my data on a meatspace level during this entry. Yes, I know other dominant women online who are like me. We make similar choices about our identities and maintain similar relationships. And I have online friendships. But, for me, they’re not the same.

The part of my brain that thinks the world should make sense finds it strange that Axe has not met an appropriate dominant woman. He’s a polite, sane, well spoken submissive man: an attractive rarity. He’s good looking, has great kinks, and a charismatic ‘nilla personality.

But it is ranging on impossible for him to find a partner.

I’ve had three long-term relationships with submissive men, at the age of 24. I’m picky as hell, but I can find partners. On the other side of the coin, I’m the first dominant woman Maymay has dated. Before me, he dated three submissive women.

Believe me, I understand how much the imbalance created by the scarcity of dominant women works in my favor. I see how unfair it is to him when Maymay and I compare our numbers of potential play partners.

I understand how desirable my age, gender and orientation are.

There’s a part of me that deeply distrusts this desirability. After all, it’s not particularly reassuring to know that one is the best choice because one is the only choice.

I suspect we all feel, at times, as though we are unseen. Being a young, sexy, dominant woman gives me privileges in the scene that I don’t earn. I show up, and people give them to me. At the same time, being desired (or respected, in a culture that consistently confuses sexual attraction with respect) because of a particular flux of timing, genetics, and orientation makes me feel like a cardboard cut out.

Of course, from many perspectives I have nothing to complain about. Inherited privilege trumps any kind of card I might play about feeling insecure, or unseen, or unwanted. In a world where rights are gained through suffering, yet again, I have no right.

I wrote after I came back from Floating World that I was wrestling with the difficulties of supporting a fluid culture from a standpoint of relative stasis. This was true then of gender, and it’s true now of power.

I firmly believe that power balances shift, that people are capable of embracing multiple roles and defining themselves as they choose, in as many ways as they choose. In short, I believe in the existence of switches.

Right now, however, I am not a switch. And perhaps because I love fluid people, the overwhelming majority of my friends are switches. Most of remainder of my friends are men who top and women who bottom. Within my circle of friends here in New York, there is not a single dominant woman besides me who does not switch. I know dominant woman as acquaintances, and almost never in couples.

The simple truth of the matter is, I have no friends like me.

Where are the other dominant women? Women my age? Yes, in friendship and the exchange of ideas on related experiences, age does matter.

Women who don’t switch, and are doing their best to incorporate that choice into their lives? In an avidly fluid, changeable culture, and possessing a chameleon-like personality, that choice is sometimes very hard for me to manage.

Women who’re smart, and wise, and local? Where are you? Could we have coffee sometime?