The Components Of A Lifestyle

Today I want to talk about lifestyle.

I am having some trouble sorting out changes in my perspective upon the world, and myself. And my New York friends, the lot of them, are trouping off to Floating World this weekend, an instance that has produced a welter of nostalgia as I reflect on the truly marvelous experiences of last year.

I am certainly not cut off from the kinky community. Sydney’s scene continues on around me. My internet connection continues unabated. But as I mentioned in my last post, a shared sexuality does not my community make.

So when we get right down to the nitty gritty, the reality is that I am isolated now that I’ve left New York City. I’m isolated from my kinky friends and my favorite spaces and my comfort zones.

My reaction to this is akin to exhaustion. I ask myself how much effort I want to spend on building a life here in Sydney? Aren’t I just going to pick up and move again? I had never envisioned our move here as being long term, and I know how quickly a year or two can pass. But “in an hour, there are many days.” I have great swaths of time I try to fill with work. I’m writing a novel. I could kick myself for being so cliche.

(As a side note, I have been stalwartly resisting the impulse to turn this into a blog about teaching, understanding, and perfecting one’s writing. I don’t think my readers would appreciate the switch. “What is all this nonsense on teaching styles, Eileen? Remember the kinky sex we come here for? Come on, kinky sex!”)

As a result of this general ennui, my kinky identity has been going through something of a hibernation. I can envision the kinky part of myself, curled adorably in a large fluffy blanket somewhere warm, sucking her thumb and cradling a singletail to her chest. I haven’t stopped having sex, I haven’t stopped thinking about sex in masturbatory ways. But I have stopped thinking about sex in community ways, about the connections in, and advantages of, communicating with others like me.

So, seeing this disconnect in my identity coincide with my withdrawal from public spaces, I ask: How much of my kinky identity is based not around what I do in the bedroom, but what I write and say and do in public?

I don’t actually know the answer to that question. Do you?

The kinky community consistently picks words to push back against. We’re cranky like that. Among the list that garners resistance is the word “lifestyle.”

But I don’t buy into that particular resistance. I like the word lifestyle, specifically because it implies that being kinky is not just a matter of freaks in their bedrooms. Being kinky crosses those boundaries; I am kinky all the time. My sexuality is a part of my lifestyle, and affects the decisions I make in multiple contexts, not just when I’m flipping through my porn stash looking for something juicy.

In my observations, one of the best ways in which queer communities have gained acceptance is the acknowledgment of queer identities as being connected to lifestyles. Having gay neighborhoods, gay bars, gay-friendly merchants, gay-friendly medical centers. Acceptance trickles down, slowly but surely, as we begin to insist that we can’t just leave our sexualities at the bedroom door.

So how do I maintain that lifestyle in a healthy way now that I’ve moved away from the community that supported it? And more specifically, how do I do that without spending four hours of my life every day surfing blogs?

The Price Of Entry

Since moving to Sydney, my relationship with the public scene has drastically changed. On the one hand, because the scene I’m finding in Sydney is drastically different to the scene I know in New York. And on the other, because the things I want from the scene are now different than they were six years ago, or one year ago, or six months ago.

Let me break one factor of this change down. Hopefully with some delicacy. I want to talk about money.

Even though I should know it by now, it consistently shocks me how expensive it is to be kinky. Money is one way in which much of the public scene is privileged; there is literally a bar to entry open to a selected few. (Not to mention all the other ways in which much of the scene caters to a particular privilege: age, time, location, race, gender, orientation, able-bodied, to name a few. With a nexus of overlying, unspoken requirements, it’s no wonder the public scene is comparatively tiny.)

Now, I’ve come to realize that the Australian relationship with money as I currently see it is a little different than I’m used to. Namely, they spend more on their pleasures. It’s not just that Sydney is an expensive city, especially with food prices skyrocketed. NYC is also an expensive city; I’m used to this.

Rather, it seems a regular occurrence for the people I hang out with to drop $100 on alcohol in a single night. A weeknight. On a weekend? An American girl I met the other day told me, in hushed tones, that an Australian guy she knows spent $600 last Saturday, between clubs, cabs, and drinks. We stared at each other with our mouths open. $600 is my rent for a month.

So it doesn’t seem like a good enough reason, in this culture, for me to say that something is simply too expensive.

I have spent a lot of money on the weapons and gear of my sexuality of choice. I have spent a lot of money on events like Floating World and Black Rose. Thousands of dollars. Thousands of dollars that I, and others in my economic situation, cannot technically count as disposable income. And as half of a couple who travel together and split our expenses, for every dollar I spend, Maymay spends one too.

If we shall speak very technically, it is not too expensive for me to spend $40 to go to a play party. I do have $40 in my bank account, and it could potentially go toward such a thing. So let me be a little more honest.

Unfortunately for the good people I’ve met here in the scene, some of whom host simply gorgeous parties, I have a hard time getting myself out and putting down cash at the door. This, I should clarify, is not through the fault of their parties. This is because, as I mentioned, the things I want from the scene have changed:

Where I used to consider the possibility of pick-up play, I now play only with established partners and long-term friends.

Where I used to feed from the energy in kinky spaces, I now feel awkward and exposed.

Where I used to be willing to manage the social minefield of not knowing anyone on the room, I now feel more comfortable around at least a few people I’m close to.

And where I used to be able to make friends with people solely upon the common ground of shared sexualities, I now find myself unable to do so. This has unfortunately knocked munches off my list, as well as parties.

So the events are not at fault. But the events are no longer right for me. And the Sydney scene appears to be structured in such a way that these kinds of events are the first point of entry.

So when I say that something is too expensive, I am being a little unfair. What I should say is that I’m not, at this point in my life, willing to pay an entry fee in order to be exposed to a number of kinky people with whom I have a slight chance of becoming friends. Because that’s what these parties have become for me; the vapor of a possibility that one of the other attendees might be someone I want to make friends with.

In the end, having complementary sexualities has almost no value for me in forging new friendships. It comes below a laundry list of other factors that must first align: our humor, our interests, our intellectual inquiries, our attitudes toward society and life and ourselves.

Complementary sexualities become a real factor in maintaining a relationship once sex itself becomes a factor of that relationship. To say that I am more likely to find friends among the kinky is similar to saying that if I were hetero, I would be more likely to find friends among men. Largely illogical, consistently untrue.

I have been reassessing the return on my investments, so to speak. Unfortunately, if I go to a play party that does not yield me any kind of good feeling, friendship, or conversation, I don’t just shrug it off. I get upset at myself, a little depressed. And where I get a little upset, Maymay becomes angrily vicious and bitter. It is not uncommon for us to leave play parties that are unsuccessful (by our standards), go home, fight, and end up miserable and crying. So in many ways, an entry fee is not just an entry fee; it’s a gamble.

And as what I’m looking for diverges further and further from what play parties are designed to deliver, the gamble becomes increasingly bad.

31. Presentation Report

I should mention the knife play workshop I did this weekend. May and Dee have assured me that it went well. My initial reaction was that it was terrible, but after I managed to calm down and think about that for a little while, I realized I was being dramatic and worrisome. It was a solid presentation. It could have gone better, but it was by no means terrible.

It’s very difficult to recall a presentation once it’s gone from our heads into the ether of collective consciousness. It’s a situation a little like the worst parts of constructive criticism combined: an incredibly tendency toward negative feedback, and absolutely no chance to re-draft. It’s over, it’s done. I’m not satisfied with the outcome, and I have to go off and live with that obsessive perfectionist griping.

I think the makings of a stellar presentation are somewhere in the work I did this weekend, but I didn’t manage to access that this Saturday. I delivered something solid, decent, and raw. Had I been walking into Conversio Virium or a Floating World class, a place I felt comfortable and confident, maybe I could have bridged that gap and really made an excellent show of things.

Unfortunately, I don’t feel comfortable here in the Sydney scene at the moment. For many reasons, most of which are my own: that kink is taking a backseat to my career jumpstarting, that May and I have become increasingly private in our play, that we are focusing on each other almost exclusively. That I still, still, still feel awful and off-balance when I meet new people, that I still feel socially like an actress playing a role that doesn’t fit quite right. That I am lonely. That I miss the community I know and the friends I’m entwined with, and the scene here sometimes makes that worse instead of better. And that I’m having to fight the battles I thought I’d finished long ago, all over again.

I hate going backward in my life. In every other way, this move has been a great leap forward. My career is stronger, my relationship is better, my psyche is thriving. But in social spaces, and especially in scene spaces, I feel like I’ve been knocked back ten steps.

And more frustrating than the feeling of being knocked back is the logical part of my brain that just keeps on asking: Why do I care? Why should I?

27. Making Passes

Today, after a long waiting period, I got new glasses. I usually wear contact lenses, but glasses are brilliant things to keep around for all those little moments when sight is immediately necessary. For example, if one were to roll out of bed at 4:38 am to investigate an odd noise of breaking glass. I would want to be able to see past my two-foot-fishbowl if such an unlikely thing occurred.

I stood in the optometrist yesterday with two different frames in my hands. One pair was slender, black, square lenses. Very simple. Very sophisticated. The others were thick and shaped on the sides with sleek silver lines over matte black metal. Very modern. Very bold.

I stood there for fifteen minutes looking at the two damn frames, realizing that they curiously represented one of the constant decisions I make when representing myself. I bounce continually between portraying myself as a mature, clean-cut and put-together young intellectual, and a quirky young artist with strange taste and bold decisions. I swing between blazers and denim, plastic and pearls.

Fuck it, I thought to myself. I put the silver and black frames on the counter and clicked my card down. I am only young enough to do this once.

And that’s true. I am only young enough to wear these glasses once. I am only young enough to shave my head and dye my hair blue once. I am only young enough to dress like a schoolboy once. I am only young enough to wear my heart on my sleeve once.

And if I work on it enough, I’ll be young enough once to do whatever I want to, for as long as I want.

Fin

For Christmas this year I was given a Border’s gift card. The thought behind the card was that I would use it to purchase an Australian travel guide. I already have an Australian travel guide. Instead, I went home with the newest PostSecret book, A Lifetime Of Secrets. This remarkable art project asks people to send in anonymous postcards with their secrets on them. I find it enormously touching, and often poignantly sad.

I leafed through the pages of the book on the subway, headed home with Maymay on New Year’s Eve. On the lower right-hand corner of one page, written in blue ink above a snapshot of a couple clapping, were the words I miss when you were just proud of me.

I started sobbing right there on the subway. I had to laugh at myself, I felt so foolish.

I spent eight days visiting family members during the Christmas holidays. I had enormous trouble organizing my thoughts while I was there. Much of my time with my family was nourishing, and content. I enjoyed Christmas. I ate cinnamon rolls and watched my cat pounce on wrapping paper, high on catnip.

I spent some time alone with the family member I shared that painful conversation with back at Thanksgiving. Seeing them was both relieving and difficult.

We did not have the beautiful, moving conversation one might have thought we’d have. I was not expecting us to. There’s a part of me that is amazed we talked at all. We sat in a crowded lunchroom over chili and hot chocolate, and built a small, sparse bridge of words.

“I’ve put passwords on my blog,” I offered, uncomfortably.

“That’s good, I suppose,” they answered. “I know you’ve been writing, but I haven’t read it.”

I wasn’t sure what to think of that. I turned a spoonful of chili over, contemplating. Eventually I answered. “You don’t have to read what I write, you know.”

“I know that,” they said. “But I’m always going to want to read what you write. You’re a part of me, what you do is going to last.” They paused a moment. “Your dust is going to be my dust too.”

I smiled at that.

“It was very painful for me, saying those things to you,” they said.

I teared up a little. “I know it was. I wrote about that.”

“This isn’t a good place to talk about it,” they said.

“I know,” I answered.

Later we drove home together. I watched the trees meld together in blurred shapes as we passed.

I drew a helpless gesture in the air with my hands. “I don’t know if you want to talk about . . . all this, if you want to learn about it or have me explain things to you.”

“I don’t think . . . I’m never going to think that violence is okay,” they answered. “I told you what I think, and I know you’ll do what you want.” They paused, staring at the road ahead. “I’m trying to let you go,” they said.

I thought about that for a little while.

Finally they spoke again. “Is there anything you really want to say?”

I turned the question over in my head. Was there anything I really wanted to say to them? About violence, or kink, or being an adult? About decision making, about work and energy and dedication? About criticism, constructive or otherwise? About Maymay, about how much I love him and how good he is for me?

I’m trying to let you go.

“I really think you could have handled the situation better,” I said at last.

“Maybe,” they answered.

We drove on, for a little while, in silence. Eventually I fell asleep with my cheek on the window.

Is that it?

I don’t know.

I think I’ll always disappoint my family in ways, and there will always be things we just don’t talk about. I think I will always live, as I have always lived, with this undercurrent of criticism and distance, and love.

I think I’ll relish the day I can see in the distance, the day I make decisions without my family.

I think that right now, just in this moment, that’s okay. I think that it will still hurt. I will cry on subway cars sometimes, and then occasionally, and then, hopefully, not at all.

Like I have been every other time my life was broken, in the end I will be okay.

Have I brought this painful span of words and weeks to an end?

Perhaps I have. I don’t know.

I do know that for the first time in weeks, I want to write again.

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Educator

The fourth and final word is educator.

I went back to Pleasure Salon this past Thursday, drank bourbon cosmos (strange invention) and put some faces to some names. And I was asked a handful of times, “How do you feel, having photos of your face on your blog?” I was surprised by this, in all honesty. It had occurred to me only in passing that I might not want to put a face to my pseudonym.

But then, let’s review. I’m 24 years old. I work a job I enjoy, but I don’t intend to make it a career. I have always intended to work primarily for myself. I’m out to all of my friends. I’m out to my parents. Who, then, would I be outing myself to? My situation is dramatically different than the majority of my readers and fellow partners in kink.

And as I am rapidly realizing since this past Sunday morning, I don’t ever want to live a life that means I have to stop talking about sex.

In addition to Kate Bornstein, I also saw Susan Wright (founder of The National Coalition For Sexual Freedom) speak this past weekend. I am developing mild hero crushes on both of them. And if you must know, my friends, hero crushes are not generally my style. Most of my heros are writers who died several decades ago.

You will laugh at me, but I’m not really a political person. (See? I knew you’d laugh.) So I take it as an indication of something significant that I am passionately interested in the political and social ramifications of sex. I take it as something significant that this blog is 60 posts long and I feel like I haven’t even touched most of what I want to talk about. And that I have managed to create a space where education, discussion, sex and writing (i.e. almost everything I get excited about) have come together.

I have many creative skills. I can paint, draw, sculpt, weld, write prose, write poetry, blow glass, throw pots, tile floors, make stone walls . . . you get the picture. My trouble has never been having a skill set; it’s been having material. When I was picking up oils for the first time and sending photos of my work to my dad, he’d write me back and say, “You do an awful lot of naked people. Why do you do so much with naked people?” Or, “How about a nice landscape or two? You know, they’d sell better.”

Or, “Eileen, all your work is about sex.” Which is slightly unfair. But only slightly.

Because far more unfair is the subtext that sex doesn’t make good material. Socially acceptable, career-like material.

I had always assumed, you see, that eventually I would have to go into hiding.

After Kate’s class was over, May and I wandered off into the depths of Floating World. “Do you want to see the kinky ren faire?” he asked me, wonderful man that he is, and I nodded numbly. I held his hand while he led me down the twisting hallways like a lost four year old. Inside my head all manner of tumultuous things were going on.

Because, you see, that was the first time I’d seen a really good sex educator speak, and care, and make a difference in someone’s life. Namely, in my life. And changing my life? That was not on my radar for last weekend.

There was a little baby seed that got planted the day I started my first kink blog five years ago, and got a little water the night that May and I had our first date, when we started talking and didn’t stop for 36 hours. It wriggled about a bit when I started teaching a class or two, and probably got a good shot of juice the day Bloody Laughter said “Hello, world.” And then, 12:30 on that Sunday afternoon, it sprang up and hit me right across the face.

I stood in that weirdly lit hallway with my forehead on May’s shoulder, hyperventilating fit to pass out and with tears streaming down my cheeks. All around me, big chunks of my life were slamming into place. Pathways that I didn’t know existed were becoming clear.

Because it hadn’t occurred to me until that morning, you see, that I could be a sex educator.

That I could live a life that means I never have to stop talking.